General Editor's Note
by Laura Rascaroli
https://doi.org/10.33178/alpha.20.00
Editorial
Doing Women’s Film & Television History: Locating Women in Film and Television, Past and Present
by Sarah Arnold and Anne O’Brien
https://doi.org/10.33178/alpha.20.01
Articles
Archivally Absent? Female Filmmakers in the IFI Irish Film Archive
by Kasandra O’Connell
https://doi.org/10.33178/alpha.20.02
Seeking Traces of Women in Early Irish Filmmaking: The O’Mara Sisters and the Archive
by Veronica Johnson
https://doi.org/10.33178/alpha.20.03
Writing the History of Women’s Programming at Telifís Éireann: A Case Study of Home for Tea
by Morgan Wait
https://doi.org/10.33178/alpha.20.04
Cinematic Islamic Feminism and the Female War Gaze: Reflections on Waad Al-Kataeb’s For Sama
by Dilyana Mincheva
https://doi.org/10.33178/alpha.20.05
Queer Representation in Arab and Middle Eastern Films: A Case Study of Women in Caramel (2007), Circumstance (2011), and In Between (2016)
by Maria Abdel Karim
https://doi.org/10.33178/alpha.20.06
Fan-ning the Flame: Representations of Lesbian Romance on Cult Television, from Subtext to Main Text
by Aviva Dove-Viebahn
https://doi.org/10.33178/alpha.20.07
The Curse and the Chora: The Double-Bind of the Choraic Conduit in Angel and Penny Dreadful
by Kwasu D. Tembo
https://doi.org/10.33178/alpha.20.08
Reflexive Practice, the “Turn to Care” and Accounting for Feeling: The Things We Talk About with Our Friends
by Rowan Aust
https://doi.org/10.33178/alpha.20.09
“I Felt More Difficulty Because of My Class Than I Have Because of My Gender”: Intersectional Analysis of Professional Lives of British Women Documentarians
by Ania Ostrowska
https://doi.org/10.33178/alpha.20.10
Towards a Latin American Feminist Cinema: The Case of Cine Mujer in Colombia
by Lorena Cervera
https://doi.org/10.33178/alpha.20.11
Researching Around Our Subjects: Working Towards a Women’s Labour History of Trade Unions in the British Film and Television Industries
by Frances Galt
https://doi.org/10.33178/alpha.20.12
Video Essay
A Film by Cine Mujer: A Video Essay
by Lorena Cervera
https://doi.org/10.33178/alpha.20.13
Dossier - Collections and Their Uses
Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project
by Lisa Stead
https://doi.org/10.33178/alpha.20.14
Researching Janet Dean: Perspectives on Female Collaboration in Television Production
by Christina Lane
https://doi.org/10.33178/alpha.20.15
“Researching Starsky and Hutch Is Exquisite Torture”: Female Television Audiences and 1980s Letterzines
by Charlotte Stevens
https://doi.org/10.33178/alpha.20.16
The Pamela Davies Collection: Continuity Supervision in British Widescreen and Colour Cinema
by Steven Roberts
https://doi.org/10.33178/alpha.20.17
Researching Black Women and Film History
by Agata Frymus
https://doi.org/10.33178/alpha.20.18
Book Reviews
Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley
Reviewed by Glen W. Norton
https://doi.org/10.33178/alpha.20.19
Film and Domestic Space: Architectures, Representations, Dispositif, edited by Stefano Baschiera and Miriam De Rosa
Reviewed by Lawrence Webb
https://doi.org/10.33178/alpha.20.20
Main Street Movies: The History of Local Film in the United States, by Martin L. Johnson
Reviewed by Jack Booth
https://doi.org/10.33178/alpha.20.21
Fellini’s Films and Commercials: From Postwar to Postmodern, by Frank Burke
Reviewed by Flavia Brizio-Skov
https://doi.org/10.33178/alpha.20.22
Sensuous Cinema: The Body in Contemporary Maghrebi Film, by Kaya Davies Hayon
Reviewed by Sheila Petty
https://doi.org/10.33178/alpha.20.23
Positioning Art Cinema: Film and Cultural Value, by Geoff King
Reviewed by Fátima Chinita
https://doi.org/10.33178/alpha.20.24
Memory, Place and Autobiography: Experiments in Documentary Filmmaking, by Jill Daniels
Reviewed by Tony Dowmunt
https://doi.org/10.33178/alpha.20.25