Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

General Editor's Note by Laura Rascaroli https://doi.org/10.33178/alpha.20.00 Editorial Doing Women’s Film & Television History: Locating Women in Film and Television, Past and Present by Sarah Arnold and Anne O’Brien https://doi.org/10.33178/alpha.20.01 Articles Archivally Absent? Female Filmmakers in the IFI Irish Film Archive by Kasandra O’Connell https://doi.org/10.33178/alpha.20.02 Seeking Traces of Women in Early Irish Filmmaking: The O’Mara Sisters and the Archive by Veronica Johnson https://doi.org/10.33178/alpha.20.03 Writing the History of Women’s Programming at Telifís Éireann: A Case Study of Home for Tea by Morgan Wait https://doi.org/10.33178/alpha.20.04 Cinematic Islamic Feminism and the Female War Gaze: Reflections on Waad Al-Kataeb’s For Sama by Dilyana Mincheva https://doi.org/10.33178/alpha.20.05 Queer Representation in Arab and Middle Eastern Films: A Case Study of Women in Caramel (2007), Circumstance (2011), and In Between (2016) by Maria Abdel Karim https://doi.org/10.33178/alpha.20.06 Fan-ning the Flame: Representations of Lesbian Romance on Cult Television, from Subtext to Main Text by Aviva Dove-Viebahn https://doi.org/10.33178/alpha.20.07 The Curse and the Chora: The Double-Bind of the Choraic Conduit in Angel and Penny Dreadful by Kwasu D. Tembo https://doi.org/10.33178/alpha.20.08 Reflexive Practice, the “Turn to Care” and Accounting for Feeling: The Things We Talk About with Our Friends by Rowan Aust https://doi.org/10.33178/alpha.20.09 “I Felt More Difficulty Because of My Class Than I Have Because of My Gender”: Intersectional Analysis of Professional Lives of British Women Documentarians by Ania Ostrowska https://doi.org/10.33178/alpha.20.10 Towards a Latin American Feminist Cinema: The Case of Cine Mujer in Colombia by Lorena Cervera https://doi.org/10.33178/alpha.20.11 Researching Around Our Subjects: Working Towards a Women’s Labour History of Trade Unions in the British Film and Television Industries by Frances Galt https://doi.org/10.33178/alpha.20.12 Video Essay A Film by Cine Mujer: A Video Essay by Lorena Cervera https://doi.org/10.33178/alpha.20.13   Dossier - Collections and Their Uses Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project by Lisa Stead https://doi.org/10.33178/alpha.20.14 Researching Janet Dean: Perspectives on Female Collaboration in Television Production by Christina Lane https://doi.org/10.33178/alpha.20.15 “Researching Starsky and Hutch Is Exquisite Torture”: Female Television Audiences and 1980s Letterzines by Charlotte Stevens https://doi.org/10.33178/alpha.20.16 The Pamela Davies Collection: Continuity Supervision in British Widescreen and Colour Cinema by Steven Roberts https://doi.org/10.33178/alpha.20.17 Researching Black Women and Film History by Agata Frymus https://doi.org/10.33178/alpha.20.18 Book Reviews Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley Reviewed by Glen W. Norton https://doi.org/10.33178/alpha.20.19 Film and Domestic Space: Architectures, Representations, Dispositif, edited by Stefano Baschiera and Miriam De Rosa Reviewed by Lawrence Webb https://doi.org/10.33178/alpha.20.20 Main Street Movies: The History of Local Film in the United States, by Martin L. Johnson Reviewed by Jack Booth https://doi.org/10.33178/alpha.20.21 Fellini’s Films and Commercials: From Postwar to Postmodern, by Frank Burke Reviewed by Flavia Brizio-Skov https://doi.org/10.33178/alpha.20.22 Sensuous Cinema: The Body in Contemporary Maghrebi Film, by Kaya Davies Hayon Reviewed by Sheila Petty https://doi.org/10.33178/alpha.20.23 Positioning Art Cinema: Film and Cultural Value, by Geoff King Reviewed by Fátima Chinita https://doi.org/10.33178/alpha.20.24 Memory, Place and Autobiography: Experiments in Documentary Filmmaking, by Jill Daniels Reviewed by Tony Dowmunt https://doi.org/10.33178/alpha.20.25   Tweet