Alphaville: Journal of Film and Screen Media

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Issue Contents



Alphaville Journal of Film and Screen Media Podcast.
Episode 05, Issue 20, Doing Women’s Film & Television History

Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

 

General Editor's Note
by Laura Rascaroli
https://doi.org/10.33178/alpha.20.00

Editorial

Doing Women’s Film & Television History: Locating Women in Film and Television, Past and Present
by Sarah Arnold and Anne O’Brien
https://doi.org/10.33178/alpha.20.01

Articles

Archivally Absent? Female Filmmakers in the IFI Irish Film Archive
by Kasandra O’Connell
https://doi.org/10.33178/alpha.20.02

Seeking Traces of Women in Early Irish Filmmaking: The O’Mara Sisters and the Archive
by Veronica Johnson
https://doi.org/10.33178/alpha.20.03

Writing the History of Women’s Programming at Telifís Éireann: A Case Study of Home for Tea
by Morgan Wait
https://doi.org/10.33178/alpha.20.04

Cinematic Islamic Feminism and the Female War Gaze: Reflections on Waad Al-Kataeb’s For Sama
by Dilyana Mincheva
https://doi.org/10.33178/alpha.20.05

Queer Representation in Arab and Middle Eastern Films: A Case Study of Women in Caramel (2007), Circumstance (2011), and In Between (2016)
by Maria Abdel Karim
https://doi.org/10.33178/alpha.20.06

Fan-ning the Flame: Representations of Lesbian Romance on Cult Television, from Subtext to Main Text
by Aviva Dove-Viebahn
https://doi.org/10.33178/alpha.20.07

The Curse and the Chora: The Double-Bind of the Choraic Conduit in Angel and Penny Dreadful
by Kwasu D. Tembo
https://doi.org/10.33178/alpha.20.08

Reflexive Practice, the “Turn to Care” and Accounting for Feeling: The Things We Talk About with Our Friends
by Rowan Aust
https://doi.org/10.33178/alpha.20.09

“I Felt More Difficulty Because of My Class Than I Have Because of My Gender”: Intersectional Analysis of Professional Lives of British Women Documentarians
by Ania Ostrowska
https://doi.org/10.33178/alpha.20.10

Towards a Latin American Feminist Cinema: The Case of Cine Mujer in Colombia
by Lorena Cervera
https://doi.org/10.33178/alpha.20.11

Researching Around Our Subjects: Working Towards a Women’s Labour History of Trade Unions in the British Film and Television Industries
by Frances Galt
https://doi.org/10.33178/alpha.20.12

Video Essay

A Film by Cine Mujer: A Video Essay
by Lorena Cervera
https://doi.org/10.33178/alpha.20.13

 



Dossier - Collections and Their Uses

Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project
by Lisa Stead
https://doi.org/10.33178/alpha.20.14

Researching Janet Dean: Perspectives on Female Collaboration in Television Production
by Christina Lane
https://doi.org/10.33178/alpha.20.15

“Researching Starsky and Hutch Is Exquisite Torture”: Female Television Audiences and 1980s Letterzines
by Charlotte Stevens
https://doi.org/10.33178/alpha.20.16

The Pamela Davies Collection: Continuity Supervision in British Widescreen and Colour Cinema
by Steven Roberts
https://doi.org/10.33178/alpha.20.17

Researching Black Women and Film History
by Agata Frymus
https://doi.org/10.33178/alpha.20.18




Book Reviews

Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley
Reviewed by Glen W. Norton
https://doi.org/10.33178/alpha.20.19

Film and Domestic Space: Architectures, Representations, Dispositif, edited by Stefano Baschiera and Miriam De Rosa
Reviewed by Lawrence Webb
https://doi.org/10.33178/alpha.20.20

Main Street Movies: The History of Local Film in the United States, by Martin L. Johnson
Reviewed by Jack Booth
https://doi.org/10.33178/alpha.20.21

Fellini’s Films and Commercials: From Postwar to Postmodern, by Frank Burke
Reviewed by Flavia Brizio-Skov
https://doi.org/10.33178/alpha.20.22

Sensuous Cinema: The Body in Contemporary Maghrebi Film, by Kaya Davies Hayon
Reviewed by Sheila Petty
https://doi.org/10.33178/alpha.20.23

Positioning Art Cinema: Film and Cultural Value, by Geoff King
Reviewed by Fátima Chinita
https://doi.org/10.33178/alpha.20.24

Memory, Place and Autobiography: Experiments in Documentary Filmmaking, by Jill Daniels
Reviewed by Tony Dowmunt
https://doi.org/10.33178/alpha.20.25