Alphaville Issue 16 (Winter 2018): Queer Media Temporalities. Issue Editors: Maria Pramaggiore and Páraic Kerrigan. Call for Papers.
Alphaville accepts articles for consideration through a system of call for papers for themed issues. Calls are advertised on this website and via subject lists. Currently Alphaville does not accept unsolicited article manuscripts. Check this site for updates on open calls.
Call for Reports
Reviews and reports are sought on an ongoing basis. If you are interested in writing a report on a festival, exhibition or other relevant event you may contact us at firstname.lastname@example.org
Books for Review
Publishers and authors may send us books for review at the following address:
Alphaville Reviews Editor
Film and Screen Media
University College Cork
Cork, T12 YN60
If you are interested in reviewing one of the titles below contact us at: email@example.com
Please note that only high-quality reviews that scrupulously observe Alphaville Guidelines and House Style, and display rigorous scholarly engagement with the title being reviewed, will be considered for publication. Please consult the journal Guidelines and House Style for further guidance.
Adam Bartos, and Colin MacCabe. Studio: Remembering Chris Marker. OR Books, 2017. [On request.]
Alexandra Heller-Nicholas, Ms. 45. Cultographies. Wallflower Press, 2017.
Alkema, Kyle, and Antonio Sanna. A Critical Companion to Tim Burton. Lexington Books, 2017.
Asava, Zélie. Mixed Race Cinemas: Multiracial Dynamics in America and France. Bloomsbury, 2017.
Atkinson, Sarah, and Helen W. Kennedy, eds. Live Cinema: Cultures, Economies, Aesthetics. Bloomsbury, 2017.
Binns, Daniel. The Hollywood War Film: Critical Observations from World War I to Iraq. University of Chicago Press, 2017.
Blake, Marc. Writing the Comedy Movie. Bloomsbury Publishing USA, 2015.
Bozung, Justin, ed. The Cinema of Norman Mailer: Film is Like Death. Bloomsbury, 2017.
Burke, Frank, ed. A Companion to Italian Cinema. John Wiley & Sons, 2017. [On request; e-book]
Chion, Michel. Words on Screen. Columbia University Press, 2017.
Corkin, Stanley. Connecting the Wire: Race, Space, and Postindustrial Baltimore. University of Texas Press, 2017.
Davis, Rib. Creating Compelling Characters for Film, TV, Theatre and Radio. Second Ed. Bloomsbury Academic, 2016.
de Baecque, Antoine, and Noël Herpe. Éric Rohmer: A Biography. Columbia University Press, 2016.
Ezra, Elizabeth. The Cinema of Things: Globalization and the Posthuman Object. Bloomsbury, 2017.
Flisfeder, Matthew. Postmodern Theory and Blade Runner. Bloomsbury Academic, 2017.
Greven, David. Queering The Terminator: Sexuality and Cyborg Cinema. Bloomsbury, 2017.
Griffiths, Alison. Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America. Columbia University Press, 2016.
Houwen, Janna. Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images. Bloomsbury, 2017.
Hunter, Aaron. Authoring Hal Ashby: The Myth of the New Hollywood Auteur. Bloomsbury Academic, 2016.
Jackson, Neil, Shaun Kimber, Johnny Walker, Thomas Joseph Watson (eds). Snuff: Real Death and Screen Media. Bloomsbury Academic, 2016.
Jeffries, Dru. Comic Book Film Style: Cinema at 24 Panels Per Second. University of Texas Press, 2017.
Jermyn, Deborah. Nancy Meyers. Bloomsbury, 2017.
Jones, David Barker. The Documentary Art of Filmmaker Michael Rubbo. University of Calgary Press, 2017.
Jones, Graham and Ashley Woodward, eds. Acinemas: Lyotard's Philosophy of Film. Edinburg UP, 2017. [On request; e-book]
Kaklamanidou, Despoina-Betty. The "Disguised" Political Film in Contemporary Hollywood: A Genre's Construction. Bloomsbury Academic, 2016.
Kee, Chera. Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks. University of Texas Press, 2017.
Leigh, Jacob. The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity. Bloomsbury, 2017.
Letort, Delphine. The Spike Lee Brand: A Study of Documentary Filmmaking. New York: SUNY Press, 2015.
Lucia, Cynthia, and Rahul Hamid, eds. Cineaste on Film Criticism, Programming, and Preservation in the New Millennium. University of Texas Press, 2017.
Malas, Mohammad. The Dream: A Diary of the Film. The American University in Cairo Press, 2016. [On request.]
Mamula, Tijana, and Lisa Patti, eds. The Multilingual Screen: New Reflections on Cinema and Linguistic Difference. Bloomsbury Publishing USA, 2016.
Mazierska, Ewa. Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema. Berghahn Books, 2017.
Mekas, Jonas. Movie Journal: The Rise of the New American Cinema, 1959-1971. Second Edition. Columbia UP, 2016.
Miklitsch, Robert. The Red and the Black: American Film Noir in the 1950s. University of Illinois Press, 2017.
Mittell, Jason. Narrative Theory and Adaptation. Bloomsbury, 2017.
Prokhorov, Alexander, and Elena Prokhorova. Film and Television Genres of the Late Soviet Era. Bloomsbury, 2016.
Raengo, Alessandra. Critical Race Theory and Bamboozled. Bloomsbury Academic, 2016.
Rösing, Lilian Munk. Pixar with Lacan: The Hysteric's Guide to Animation. Bloomsbury Publishing USA, 2015.
Russell, James, and Jim Whalley. Hollywood and the Baby Boom: A Social History. Bloomsbury, 2017.
Samer, Roxanne, and William Whittington, eds. Spectatorship: Shifting Theories of Gender, Sexuality, and Media.University of Texas Press, 2017.
Slugan, Mario. Montage As Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder. Camden House, 2017.
Smith, Iain Robert, and Constantine Verevis, eds. Transnational Film Remakes. Edinburgh University Press, 2017. [On request, e-book]
Smith, Paul Julian. Spanish Lessons: Cinema and Television in Contemporary Spain. Berghahn, 2017.
Souch, Irina. Popular Tropes of Identity in Contemporary Russian Television and Film. Bloomsbury, 2017.
Tadeo Fuica, Beatriz. Uruguayan Cinema, 1960-2010: Text, Materiality, Archive. Tamesis Books, 2017.
Wadia, Richards Rashna, and David T. Johnson, eds. For the Love of Cinema: Teaching Our Passion In and Outside the Classroom. Indiana University Press, 2017.
Walton, Saige. Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement. Amsterdam University Press, 2016.
Film and Screen Media at University College Cork, 2011-2017
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