Alphaville: Journal of Film and Screen Media

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Issue Contents



Alphaville Journal of Film and Screen Media Podcast.
Episode 04, Issue 19, Performing the Intermedial across Brazilian Cinema

Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

 

General Editor's Note
by Laura Rascaroli
https://doi.org/10.33178/alpha.19.00

Editorial

Performing the Intermedial across Brazilian Cinema
by Tamara Courage and Albert Elduque
https://doi.org/10.33178/alpha.19.01

Articles

Building an Integrated History of Musical Numbers in Brazilian Chanchadas
by Flávia Cesarino Costa
https://doi.org/10.33178/alpha.19.02

Chanchadas and Intermediality: On the Musical Numbers of Aviso aos Navegantes (Watson Macedo, 1950)
by Flávia Cesarino Costa and John Gibbs
https://doi.org/10.33178/alpha.19.03

Background Musicians and Their (In)Visibilities
by Suzana Reck Miranda
https://doi.org/10.33178/alpha.19.04

Documentary Shooting and Samba: Technology and Mediation in Leon Hirszman’s Partido alto
by Albert Elduque
https://doi.org/10.33178/alpha.19.05

Realistic Intermediality and the Historiography of the Present
by Marcela Amaral
https://doi.org/10.33178/alpha.19.06

Cinema and Its Intermedial Passages to Reality: The Case of the Árido Movie
by Samuel Paiva
https://doi.org/10.33178/alpha.19.07

Vincent Moon in(-between) Brazil: An Aural Approach to Intermediality
by Matheus Araújo de Siqueira
https://doi.org/10.33178/alpha.19.08

Interviews

Samba Beyond the Parade: An Interview with Paulinho da Viola
by Tamara Courage and Albert Elduque
https://doi.org/10.33178/alpha.19.09

Transforming Brazilian Speech into Popular Song: An Interview with Luiz Tatit
by Tamara Courage and Albert Elduque
https://doi.org/10.33178/alpha.19.10

Programming Brazilian Music for a Global Film Audience: An Interview with Cristian Pascual
by Tamara Courage and Albert Elduque
https://doi.org/10.33178/alpha.19.11

Capturing the Soul of the Suburb: An Interview with Lula Buarque de Hollanda
by Tamara Courage and Albert Elduque
https://doi.org/10.33178/alpha.19.12

 



Dossier - Music Videos in the British Screen Industries and Screen Heritage: From Innovation to Curation

Introduction
by Emily Caston
https://doi.org/10.33178/alpha.19.13

Conservation and Curation: Theoretical and Practical Issues in the Making of a National Collection of British Music Videos 1966-2016
by Emily Caston
https://doi.org/10.33178/alpha.19.14

Music Video and Commercials Production in the UK Screen Industries: An Overlooked Dynamo of Innovation and Success
by Richard Paterson
https://doi.org/10.33178/alpha.19.15

Dancing & Dreaming: “Fifty Years of British Music Video” in Havana
by Emily Caston and Justin Smith
https://doi.org/10.33178/alpha.19.16

Interview: Kris P. Taylor
by Emily Caston
https://doi.org/10.33178/alpha.19.17

Interview: Carrie Sutton
by Emily Caston
https://doi.org/10.33178/alpha.19.18

Interview: Sophie Muller
by Emily Caston
https://doi.org/10.33178/alpha.19.19




Book Reviews

The Conscience of Cinema: The Works of Joris Ivens 1912–1989, by Thomas Waugh
Reviewed by Jonathan Kahana
https://doi.org/10.33178/alpha.19.20

Impersonal Enunciation, or the Place of Film, by Christian Metz
Reviewed by George Crosthwait
https://doi.org/10.33178/alpha.19.21

Netflix Nostalgia: Screening the Past on Demand, edited by Kathryn Pallister, and The Aesthetics of Nostalgia TV: Production Design and the Boomer Era, by Alex Bevan
Reviewed by Martin Fradley
https://doi.org/10.33178/alpha.19.22

The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood, by Nicholas Godfrey
Reviewed by Ryan Sherwood
https://doi.org/10.33178/alpha.19.23

George Clooney, by Paul McDonald
Reviewed by Gillian Kelly
https://doi.org/10.33178/alpha.19.24

A Companion to Italian Cinema, edited by Frank Burke
Reviewed by Jeffrey Longacre
https://doi.org/10.33178/alpha.19.25

The Documentary Art of Filmmaker Michael Rubbo, by D. B. Jones
Reviewed by Gaurav Pai
https://doi.org/10.33178/alpha.19.26

Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism, 1949-1966, by Jessica Ka Yee Chan
Reviewed by Max Berwald
https://doi.org/10.33178/alpha.19.27

Werner Herzog: Filmmaker and Philosopher, by Richard Eldridge
Reviewed by Dominic Lash
https://doi.org/10.33178/alpha.19.28

Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses, by Simin Nina Littschwager
Reviewed by Luis Antunes
https://doi.org/10.33178/alpha.19.29

History and Film: A Tale of Two Disciplines, by Eleftheria Thanouli
Reviewed by Marina Durnin
https://doi.org/10.33178/alpha.19.30

Cinematic Narratives: Transatlantic Perspectives, edited by Morris Beja, Ellen Carol Jones, Cecilia Beecher Martins, José Duarte, and Suzana Ramos
Reviewed by David Klein Martins
https://doi.org/10.33178/alpha.19.31

The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies, by Paul Gulino and Connie Shears
Reviewed by Levi Dean
https://doi.org/10.33178/alpha.19.32

 



Reports

Bad Mothers and Female Agency: The 76th Venice International Film Festival
Report by Lydia Tuan
https://doi.org/10.33178/alpha.19.33

The International Documentary Film Festival Amsterdam (IDFA) 2019
Report by Dasa Raimanova
https://doi.org/10.33178/alpha.19.34

 

 

 

 

 

 


ISSN 2009-4078

https://doi.org/10.33178/alpha

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