Alphaville: Journal of Film and Screen Media

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Issue Contents

Foreword

Debordering Academia: Centring the Displaced and Exiled in Research
by Omid Tofighian
https://doi.org/10.33178/alpha.18.00

Editorial

Refugee Filmmaking
by Stephanie Hemelryk Donald, Kaya Davies Hayon, and Lucia Sorbera
https://doi.org/10.33178/alpha.18.01

Articles

Telephone Calls in Gianfranco Rosi’s Fire at Sea (Fuocoammare, 2016)
by Emma Wilson
https://doi.org/10.33178/alpha.18.02


Sonic Sociabilities and Stranger Relations in Arnaud des Pallières’ Adieu (2004)
by Emilija Talijan
https://doi.org/10.33178/alpha.18.03

Seascapes of Solidarity: Refugee Cinema and the Representation of the Mediterranean
by Stefanie Van De Peer
https://doi.org/10.33178/alpha.18.04

The Vulnerable Gaze of the Migrant: Eye-Witnessing and Drifting Subjectivity in Documentary Web Series
by Alice Cati
https://doi.org/10.33178/alpha.18.05


Shaming Australia: Cinematic Responses to the “Pacific Solution”
by Stephanie Hemelryk Donald
https://doi.org/10.33178/alpha.18.06

Displacement, Exile and Incarceration Commuted into Cinematic Vision
by Omid Tofighian
https://doi.org/10.33178/alpha.18.07

Refugees on Film: Assessing the Political Strengths and Weaknesses of the Documentary Style
by P. Stuart Robinson
https://doi.org/10.33178/alpha.18.08

 



Dossier One: Challenges of Separation for Refugee Filmmaking

Introduction
by Stephanie Hemelryk Donald and Lucia Sorbera
https://doi.org/10.33178/alpha.18.09

The Last Goldfish
by Su Goldfish, Joanna Newman, and Julie Ewington
https://doi.org/10.33178/alpha.18.10

Refugee Status: Privileged
by Rana Kazkaz
https://doi.org/10.33178/alpha.18.11

Collaborating with Refugees: Power, Ethics and Reciprocity in Documentary Filmmaking
by Mandy Hughes
https://doi.org/10.33178/alpha.18.12

Anonymity and Representation: Everyday Practices of Ethical Documentary Filmmaking
by Isobel Blomfield and Caroline Lenette
https://doi.org/10.33178/alpha.18.13


Alphaville Journal of Film and Screen Media Podcast. Episode 03, Issue 18, Refugee Filmmaking

Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford



Dossier Two: Carceral-Border Cinema: The Film from Manus Prison

Introduction
by Omid Tofighian
https://doi.org/10.33178/alpha.18.14

Film as Folklore
by Behrouz Boochani
https://doi.org/10.33178/alpha.18.15

Looking for Chauka
by Arash Kamali Sarvestani
https://doi.org/10.33178/alpha.18.16

A Reflection on Chauka, Please Tell Us the Time
by Janet Galbraith
https://doi.org/10.33178/alpha.18.17

Cinematic Poetics and Reclaiming History: Chauka, Please Tell Us the Time as Legacy
by Jeremy Elphick
https://doi.org/10.33178/alpha.18.18

Chauka Calls—A Photo Essay
by Omid Tofighian
https://doi.org/10.33178/alpha.18.19




Book Reviews

Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity and Femininity at the End of the World, by Eve Bennett
Reviewed by Martin Fradley
https://doi.org/10.33178/alpha.18.20

Are You Watching Closely?: Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film, by Seth Friedman
Reviewed by Jordan Lavender-Smith
https://doi.org/10.33178/alpha.18.21

European Cinema and Continental Philosophy: Film as Thought Experiment, by Thomas Elsaesser
Reviewed by Ekin Erkan
https://doi.org/10.33178/alpha.18.22

Writing the Comedy Movie, by Marc Blake
Reviewed by Matthew McKeague
https://doi.org/10.33178/alpha.18.23

Genre, Authorship and Contemporary Women Filmmakers, by Katarzyna Paszkiewicz
Reviewed by Anthony Kinik
https://doi.org/10.33178/alpha.18.24

Film and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War, by Mila Ganeva
Reviewed by Boel Ulfsdotter
https://doi.org/10.33178/alpha.18.25

New Nonfiction Film: Art, Poetics, and Documentary Theory, by Dara Waldron
Reviewed by Darrell Varga
https://doi.org/10.33178/alpha.18.26

A Cinema of Things: Globalization and the Posthuman Object, by Elizabeth Ezra
Reviewed by James Mulvey
https://doi.org/10.33178/alpha.18.27

Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America, by Alison Griffiths
Reviewed by Gwenda Young
https://doi.org/10.33178/alpha.18.28

 

 

 

 

 

 


ISSN 2009-4078

https://doi.org/10.33178/alpha

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Department of Film and Screen Media at University College Cork, 2011-2020
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