Additional music: Tom's Lullaby (with Les Gauchers Orchestra) by Lee Maddeford

General Editor's Note by Laura Rascaroli https://doi.org/10.33178/alpha.19.00 Editorial Performing the Intermedial across Brazilian Cinema by Tamara Courage and Albert Elduque https://doi.org/10.33178/alpha.19.01 Articles Building an Integrated History of Musical Numbers in Brazilian Chanchadas by Flávia Cesarino Costa https://doi.org/10.33178/alpha.19.02 Chanchadas and Intermediality: On the Musical Numbers of Aviso aos Navegantes (Watson Macedo, 1950) by Flávia Cesarino Costa and John Gibbs https://doi.org/10.33178/alpha.19.03 Background Musicians and Their (In)Visibilities by Suzana Reck Miranda https://doi.org/10.33178/alpha.19.04 Documentary Shooting and Samba: Technology and Mediation in Leon Hirszman’s Partido alto by Albert Elduque https://doi.org/10.33178/alpha.19.05 Realistic Intermediality and the Historiography of the Present by Marcela Amaral https://doi.org/10.33178/alpha.19.06 Cinema and Its Intermedial Passages to Reality: The Case of the Árido Movie by Samuel Paiva https://doi.org/10.33178/alpha.19.07 Vincent Moon in(-between) Brazil: An Aural Approach to Intermediality by Matheus Araújo de Siqueira https://doi.org/10.33178/alpha.19.08 Interviews Samba Beyond the Parade: An Interview with Paulinho da Viola by Tamara Courage and Albert Elduque https://doi.org/10.33178/alpha.19.09 Transforming Brazilian Speech into Popular Song: An Interview with Luiz Tatit by Tamara Courage and Albert Elduque https://doi.org/10.33178/alpha.19.10 Programming Brazilian Music for a Global Film Audience: An Interview with Cristian Pascual by Tamara Courage and Albert Elduque https://doi.org/10.33178/alpha.19.11 Capturing the Soul of the Suburb: An Interview with Lula Buarque de Hollanda by Tamara Courage and Albert Elduque https://doi.org/10.33178/alpha.19.12 Dossier - Music Videos in the British Screen Industries and Screen Heritage: From Innovation to Curation Introduction by Emily Caston https://doi.org/10.33178/alpha.19.13 Conservation and Curation: Theoretical and Practical Issues in the Making of a National Collection of British Music Videos 1966-2016 by Emily Caston https://doi.org/10.33178/alpha.19.14 Music Video and Commercials Production in the UK Screen Industries: An Overlooked Dynamo of Innovation and Success by Richard Paterson https://doi.org/10.33178/alpha.19.15 Dancing & Dreaming: “Fifty Years of British Music Video” in Havana by Emily Caston and Justin Smith https://doi.org/10.33178/alpha.19.16 Interview: Kris P. Taylor by Emily Caston https://doi.org/10.33178/alpha.19.17 Interview: Carrie Sutton by Emily Caston https://doi.org/10.33178/alpha.19.18 Interview: Sophie Muller by Emily Caston https://doi.org/10.33178/alpha.19.19 Book Reviews The Conscience of Cinema: The Works of Joris Ivens 1912–1989, by Thomas Waugh Reviewed by Jonathan Kahana https://doi.org/10.33178/alpha.19.20 Impersonal Enunciation, or the Place of Film, by Christian Metz Reviewed by George Crosthwait https://doi.org/10.33178/alpha.19.21 Netflix Nostalgia: Screening the Past on Demand, edited by Kathryn Pallister, and The Aesthetics of Nostalgia TV: Production Design and the Boomer Era, by Alex Bevan Reviewed by Martin Fradley https://doi.org/10.33178/alpha.19.22 The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood, by Nicholas Godfrey Reviewed by Ryan Sherwood https://doi.org/10.33178/alpha.19.23 George Clooney, by Paul McDonald Reviewed by Gillian Kelly https://doi.org/10.33178/alpha.19.24 A Companion to Italian Cinema, edited by Frank Burke Reviewed by Jeffrey Longacre https://doi.org/10.33178/alpha.19.25 The Documentary Art of Filmmaker Michael Rubbo, by D. B. Jones Reviewed by Gaurav Pai https://doi.org/10.33178/alpha.19.26 Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism, 1949-1966, by Jessica Ka Yee Chan Reviewed by Max Berwald https://doi.org/10.33178/alpha.19.27 Werner Herzog: Filmmaker and Philosopher, by Richard Eldridge Reviewed by Dominic Lash https://doi.org/10.33178/alpha.19.28 Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses, by Simin Nina Littschwager Reviewed by Luis Antunes https://doi.org/10.33178/alpha.19.29 History and Film: A Tale of Two Disciplines, by Eleftheria Thanouli Reviewed by Marina Durnin https://doi.org/10.33178/alpha.19.30 Cinematic Narratives: Transatlantic Perspectives, edited by Morris Beja, Ellen Carol Jones, Cecilia Beecher Martins, José Duarte, and Suzana Ramos Reviewed by David Klein Martins https://doi.org/10.33178/alpha.19.31 The Science of Screenwriting: The Neuroscience Behind Storytelling Strategies, by Paul Gulino and Connie Shears Reviewed by Levi Dean https://doi.org/10.33178/alpha.19.32 Reports Bad Mothers and Female Agency: The 76th Venice International Film Festival Report by Lydia Tuan https://doi.org/10.33178/alpha.19.33 The International Documentary Film Festival Amsterdam (IDFA) 2019 Report by Dasa Raimanova https://doi.org/10.33178/alpha.19.34 Tweet