Editorial
Sound, Voice, Music
by Danijela Kulezic-Wilson, Christopher Morris and Jessica Shine (Issue Editors)
https://doi.org/10.33178/alpha.3.00
Articles
The Same Old Songs in Reagan-Era Teen Film
by Michael D. Dwyer
https://doi.org/10.33178/alpha.3.01
Performing Gender in the Studio and Postmodern Musical
by Michael Charlton
https://doi.org/10.33178/alpha.3.02
When is the Now in the Here and There? Trans-diegetic Music in Hal Ashby’s Coming Home
by Aaron Hunter
https://doi.org/10.33178/alpha.3.03
Beneath Sci-fi Sound: Primer, Science Fiction Sound Design, and American Independent Cinema
by Nessa Johnston
https://doi.org/10.33178/alpha.3.04
Cultural Innovation and Narrative Synergy in R. Kelly’s Trapped in the Closet
by Ioana Literat
https://doi.org/10.33178/alpha.3.05
Emotion Capture: Vocal Performances by Children in the Computer-animated Film
by Christopher Holliday
https://doi.org/10.33178/alpha.3.06
Book Reviews
Media and Memorys, by Joanne Garde-Hansen
Reviewed by Elena Caoduro
https://doi.org/10.33178/alpha.3.07
Film Festivals: Culture, People, and Power on the Global Screen, by Cindy Hing-Yuk Wong
Reviewed by Fiona Lee
https://doi.org/10.33178/alpha.3.08
Music Video and the Politics of Representation, by Diane Railton and Paul Watson
Reviewed by Antonio Sanna
https://doi.org/10.33178/alpha.3.09
Sound and Music in Film and Visual Media: A Critical Overview, by Graeme Harper, Ruth Doughty and Jochen Eisentraut (eds.)
Reviewed by Penny Spirou
https://doi.org/10.33178/alpha.3.10
Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores, by Peter Franklin
Reviewed by K. A. Wisniewski
https://doi.org/10.33178/alpha.3.11
Siren City: Sound and Source Music in Classic American Noir, by Robert Miklitsch
Reviewed by James A. Wren
https://doi.org/10.33178/alpha.3.12
Book Reviews Editor: Jill Murphy
Reports