Editorial On the Cultural Circulation of Contemporary European Crime Cinema by Stefano Baschiera https://doi.org/10.33178/alpha.22.00 Articles DETECting the “Noirification” of European Popular Narratives Across Film, Fiction and Television by Federico Pagello https://doi.org/10.33178/alpha.22.01 Capturing European Crime: European Crime Cinema at European Film Festivals by Russ Hunter https://doi.org/10.33178/alpha.22.02 The Troubles Crime Thriller and the Future of Films about Northern Ireland by Richard Gallagher https://doi.org/10.33178/alpha.22.03 The Distribution and Promotion of Dogman (2016) in the United States by Damiano Garofalo https://doi.org/10.33178/alpha.22.04 Cosmopolitan Crimes: Sebastian Schipper’s Victoria (2015) and the Distribution of European Crime Films by Markus Schleich https://doi.org/10.33178/alpha.22.05 Book Reviews Documentary Across Platforms: Reverse Engineering Media, Place, and Politics, by Patricia R. Zimmerman Reviewed by Dara Waldron https://doi.org/10.33178/alpha.22.06 The Red Years of Cahiers du Cinéma (1968–1973), by Daniel Fairfax Reviewed by Marco Grosoli https://doi.org/10.33178/alpha.22.07 Twenty-First-Century Hollywood: Rebooting the System, by Neil Archer Reviewed by Alexander Christensen https://doi.org/10.33178/alpha.22.08 Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production, by Kate Fortmueller Reviewed by Yan Jin https://doi.org/10.33178/alpha.22.09 Ride the Frontier: Exploring the Myth of the American West on Screen, by Flavia Brizio-Skov Reviewed by Andrew Corsini https://doi.org/10.33178/alpha.22.10 Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks, by Chera Kee Reviewed by Lea Espinoza Garrido https://doi.org/10.33178/alpha.22.11 Lost in the Dark: A World History of Horror, by Brad Weismann Reviewed by Andrew Montiveo https://doi.org/10.33178/alpha.22.12 Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham Reviewed by Donatella Valente https://doi.org/10.33178/alpha.22.13 Cinema and Intermediality: The Passion for the In-Between (Second, Enlarged Edition), by Ágnes Pethő Reviewed by Jill Murphy https://doi.org/10.33178/alpha.22.14 Tweet