Editorial
Space and Time in Film
by Marian Hurley, Deborah Mellamphy and Jill Moriarty (Issue Editors)
https://doi.org/10.33178/alpha.2.00
Articles
Scrutinising the Rainbow: Fantastic Space in The Wizard of Oz
by Alexander Sergeant
https://doi.org/10.33178/alpha.2.01
Bullet-Time in Simulation City: Revisiting Baudrillard and The Matrix by way of the "Real 1999"
by Randy Laist
https://doi.org/10.33178/alpha.2.02
Personal Time in Alternative and Time Travel Narrative: The Cases of Groundhog Day, Twelve Monkeys and 2001: A Space Odyssey
by Elisa Pezzotta
https://doi.org/10.33178/alpha.2.03
Revisiting the Past as a Means of Validation: Bridging the Myth of the Resistance and the Satire of the Economic Miracle in Two Comedies "Italian Style"
by Giacomo Boitani
https://doi.org/10.33178/alpha.2.04
From History to Haecceity: Spatial Reframings of the Past in Post-heritage Cinema>
by Elise Wortel
https://doi.org/10.33178/alpha.2.05
Making Nothing Happen: The Transition from Reactive Nihilism to Affirmation in Jim Jarmusch’s Broken Flowers (2005)
by Anna Backman Rogers
https://doi.org/10.33178/alpha.2.06
Book Reviews
Funny Frames: The Filmic Concepts of Michael Haneke, by Oliver C. Speck
Reviewed by Jeremiah Ambrose
https://doi.org/10.33178/alpha.2.07
Celluloid Saviours: Angels and Reform Politics in Hollywood Film, by Emily Caston
Reviewed by Mithuraaj Dhusiya
https://doi.org/10.33178/alpha.2.08
Hollywood Catwalk: Exploring Costume and Transformation in American Film, by Tamar Jeffers McDonald
Reviewed by Rebecca Kambuta
https://doi.org/10.33178/alpha.2.09
What Cinema Is! Bazin’s Quest and its Charge, by Dudley Andrew
Reviewed by Kevin McDonald
https://doi.org/10.33178/alpha.2.10
Tim Burton: The Monster and the Crowd: A Post-Jungian Perspective, by Helena Bassil-Morozow
Reviewed by Deborah Mellamphy
https://doi.org/10.33178/alpha.2.11
Animating Space: From Mickey To WALL-E, by J.P. Telotte
Reviewed by Mihaela Mihailova
https://doi.org/10.33178/alpha.2.12
Book Reviews Editor: Jill Murphy
Reports