Editorial
Back to the Future: The European Film Studies Agenda Today
by Laura Rascaroli
https://doi.org/10.33178/alpha.1.00
Issue Editors' Note
European Cinema: Transnational, Transcultural, Transmedial
by Abigail Keating, Jill Murphy and Aidan Power
https://doi.org/10.33178/alpha.1.01
Articles
Transnationality and Transitionality: Sandra Kogut's The Hungarian Passport (2001)
by Natália Pinazza
https://doi.org/10.33178/alpha.1.02
Paris, Borders and the Concept of Europe in Paris, je t'aime and Code Unknown
by Vivien Silvey
https://doi.org/10.33178/alpha.1.03
Lindsay Anderson: Britishness and National Cinemas
by Isabelle Gourdin-Sangouard
https://doi.org/10.33178/alpha.1.04
The Fictive Archive: Kurdish Filmmaking in Turkey
by Özgür Çiçek
https://doi.org/10.33178/alpha.1.05
Ideas of Sex: Discourses on Sexuality in Liliana Cavani's The Night Porter and Cesare Canevari's The Gestapo's Last Orgy
by Nick Impey
https://doi.org/10.33178/alpha.1.06
Cinema/History: Philippe Garrel, Bernardo Bertolucci and May 1968
by Michael Leonard
https://doi.org/10.33178/alpha.1.07
Face to Face with the Muslim "Other": European Cinematic Responses to Al-Qaeda
by Elena Caoduro
https://doi.org/10.33178/alpha.1.08
Book Reviews
Screening Strangers: Migration and Diaspora in Contemporary European Cinema, by Yosefa Loshitzky
Reviewed by Aidan Power
https://doi.org/10.33178/alpha.1.09
Cinema, Memory, Modernity: The Representations of Memory from the Art Film to Transnational Cinema, by Russel J.A. Kilbourn
Reviewed by Colm Ryan
https://doi.org/10.33178/alpha.1.10
Reports